By Donatella Cinelli Colombini, winedestination, Fattoria del Colle Trequanda, Casato Prime Donne Montalcino

The most cautious opinion comes from Michael Godel, a great connoisseur of Brunello and Tuscan winemaking in general, who tasted the 2019 Orcia Doc Cenerentola in November 2024 when it was “better to continue waiting” as he himself wrote.

ORCIA DOC, THE MOST BEAUTIFUL WINE IN THE WORLD

The other tastings were conducted in March 2026, and the score rises to 93-94 points. David Lawrason has words of high praise: “The nose is extraordinary, very expressive, with complexity from maturation and a mix of red and black fruits… It’s full-bodied, with pronounced acidity and a notable warmth from the 15% alcohol. The tannins are quite firm and drying, but not green. The length is excellent, verging on exceptional.”

Wow, what a beautiful comment.

Sara d’Amato—an ecologist, writer, and highly experienced sommelier—also delivers a thrilling description. “The result is elegant and generous, both in aromas and on the palate. The oak is expertly integrated, allowing fruit and spice to unfold harmoniously. The tannins are ripe and enveloping, in line with the growing sensation of warmth provided by the 15% alcohol in the finish, which offers excellent length.”

The 94/100 rating comes from John Szabo, Canada’s first Master Sommelier and author of the book Volcanic Wines, which helped the world rediscover the uniqueness and charm of wines born near smoking mountains.…

L'articolo CENERENTOLA CHARMS CANADA sembra essere il primo su Cinelli Colombini.

By Donatella Cinelli Colombini, winedestination, Casato Prime Donne Montalcino, Fattoria del Colle Trequanda

When I first went to the UK, I bought a kilt that I wore for years. I was 17, and in Italy, especially in Siena, it wasn’t possible to buy anything similar. There were pleated skirts with tartan patterns, but not in the same wool and not with such beautiful designs.

Over the next 50 years, the industrial production of clothing, food, and originally handcrafted objects, as well as globalization, led to a progressive diffusion of “ethnic products” in world markets. Kilts could also be purchased in Tuscany and later online, at prices much cheaper than my first tartan skirt. But the quality was no longer the same, nor was the charm of an authentic object purchased in the production area.

Once upon a time, the greatest appeal of travel was the possibility of immersing oneself in a reality different from one’s own, where the sights, lifestyle, sounds, flavours, and smells allowed one to discover a civilization whose artistic monuments were the jewels of its crown.

HOW GLOBALIZATION AND OVERTOURISM HAVE KILLED LOCAL PRODUCTS

Today, overtourism, hit-and-run shopping, the transformation of destinations, encrusted with shops selling fake souvenirs, and living like tourists instead of residents… has led to an erosion of local identity.…

L'articolo THE VALUE OF “ONLY THERE” IN TOURISM sembra essere il primo su Cinelli Colombini.

By Donatella Cinelli Colombini, winedestination, Casato Prime Donne Montalcino, Fattoria del Colle Trequanda

“Among the villages of the Val di Pesa, Valdelsa, and Val di Virginio is the workshop where our ceramics are born, nestled among the vineyards and hills,” says Sara Petreni, welcoming us to the Toscana Lovers shop in Siena, in Piazza Indipendenza, just a few steps from Piazza del Campo, where the Palio is run. “They are still made using the ancient techniques of the wheel, casting, and press, in a blend of styles. From country chic with dusty hues and shabby details to classic and contemporary. Hands that first draw and then shape the clay.” Sara shows the results of the ceramists’ patient work: bowls, plates, trays, jugs, cruets… the colours are typical of the Tuscan palette and landscapes. “Each shade is unique, created by the brush of a true artist who adds a touch of chiaroscuro, thus making the ceramic vibrate.”

The items for sale at Toscana Lovers appear to be of a new design, but instead they tell an ancient story.

ARTISAN TUSCAN CERAMICS FOR THE TABLE

So a red cruet will never be a simple container for oil, but an object that accompanies us during family meals, adding a touch of color that brightens every kitchen.

And then there are the dinner sets, the flower-like bowls, and even the bathroom collections.…

L'articolo TRENDY TUSCAN CERAMICS sembra essere il primo su Cinelli Colombini.